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¦~«e¥Xª©ªº©Ô¤B»R¸g¨å±Ð¾Ç¼v¤ù-- ©Ô¤B»R¤Jªù»P¯µ³Z(ABC¡¦s of Latin and Hidden Secrets)ªº©ÀÀY¡A³o¼v¤ù¦@¦³
1~3¨t¦C¡A³ôºÙ¬°©Ô¤B»Rªº¤Jªù¦Ê¬ì¥þ®Ñ¡A¤£½×±z¬O²ß»R©Î±Ð¾Ç³£¬O¤£¥i©Î¯Êªº¼vµø°Ñ¦Ò¸ê®Æ¡C¦b¦¹¦V±z¤¶²Ð²Ä¤@
¨t¦C(Part I¡A¦@6³¡¼v¤ù)ªº¤º®e¡A¥»¨t¦C¥i§ä¨ì¤¤¤å°tµªºª©¥»¡AÅý±z¦b°Ñ¦Ò¤Î¤Þ¥Î®É§ó¤è«K³\¦h¡C
Ø
¾É½×: (ABC¡¦s
of Latin Part I - Introduction)
Ø
«ê«ê«ê(ABC¡¦s of Latin Part I - Cha-cha-Cha)
1.
|
Character, Posture |
¯S¦â»P«º¶Õ |
2.
|
10 types of chasses: Compact chasse, Chasse to R, Chasse
to L, Lock steps forward and back, Ronde chasse, Twist chasse (Hip twist
chasse), Slip chasse, Running chasse, Run away chasse |
¤QºØ°l¨B¡Gì¦a°l¨B¡B¥k°l¨B¡B¥ª°l¨B¡B«e¶i¤Î«á°hÂê¨B¡B°éÀú°l¨B¡B§áÂà°l¨B(§áÂàÁv°l¨B)¡B·Æ°l¨B¡B¶]°l¨B¡B¤ÀÂ÷°l¨B |
3.
|
Basic movement: in Closed hold, in Open pos., No hold |
°ò¥»²¾°Ê¡G³¬¦¡´¤«ù¡B¶}¦¡´¤«ù¡BµL´¤«ù |
4.
|
Time steps |
®É¶¡¨B |
5.
|
Fan |
®°§Î¨B |
6.
|
Hockey stick (also Hockey stick ending in CPP) |
¦±´Ò¨B(¦±´Ò¨Bµ²§ô¦b¤Ï°¼¦æ) |
7.
|
New Yorker (with various arm styling) |
¯Ã¬ù¨B(¤£¦Pªº¤â³¡·®æ) |
8.
|
Spot turns to L and R |
©wÂI¥ªÂà¤Î¥kÂà |
9.
|
Shoulder to shoulder in Open and Closed hold |
¶}¦¡¤Î³¬¦¡ªÓ¹ïªÓ |
10. |
Hand to Hand |
¤â¹ï¤â |
11. |
Natural top (various finish options) |
¥kªûÁ³Âà(¤£¦Pªºµ²§ô¿ï¾Ü) |
12. |
Closed hip twist |
³¬¦¡§áÁvÂà |
13. |
Alemana |
¥kÂà¨B |
14. |
Open hip twist (various ending options) |
¶}¦¡§áÁvÂà(¤£¦Pªºµ²§ô¿ï¾Ü) |
15. |
Cross basic |
¥æ¤e°ò¥»¨B |
16. |
Cuban break |
¥j¤Ú¤p¸H¨B |
17. |
Split Cuban break |
¤ÀÂ÷¥j¤Ú¤p¸H¨B |
18. |
Turkish towel |
¤g¦Õ¨ä¤ò¤y¨B |
19. |
Sweetheart |
²¢¤ß¨B |
20. |
3 methods of changing feet |
´«¸}ªº¤TºØ¤èªk |
Ø
´Ë¤Ú(ABC¡¦s of Latin Part I ¡V Samba)
1.
|
Basic movement and Bounce action |
°ò¥»²¾°Ê¤Î¤Ï¼u°Ê§@ |
2.
|
Basic movement (Natural and Reversed) |
°ò¥»²¾°Ê(¥k¤Î¥ª) |
3.
|
Progressive Basic movement |
¦æ¶i°ò¥»¨B |
4.
|
Whisks |
©ª§Î¨B |
5.
|
Promenade Samba Walks |
°¼¦æ´Ë¤Ú¨B |
6.
|
Side Samba Walks |
´Ë¤Ú®Ç¨B |
7.
|
Stationary Samba Walks |
ì¦a´Ë¤Ú¨B |
8.
|
Close Rocks |
³¬¦¡·nÂ\ |
9.
|
Reverse turn |
¥ªÂà¨B |
10. |
Corta Jaca |
§Ö½ð¨B |
11. |
Travelling Botafogos |
¦æ¶iªi¯S¦ò¤à´µ |
12. |
Natural Roll |
¥kºuÂà¨B |
13. |
Open Rocks |
¶}¦¡·nÂ\ |
14. |
Promenade Botafogos |
°¼¦æªi¯S¦ò¤à´µ |
15. |
Backward Rocks |
«á°h·nÂ\ |
16. |
Plait |
÷Ä|¨B |
17. |
Shadow Botafogos |
¼v¤lªi¯S¦ò¤à´µ |
18. |
|
¹Ô¨B©wÂI¥kÂà¤Î¥ªÂà |
19. |
Travelling |
¦æ¶i¹Ô¨B(¦V¥k¤Î¦V¥ª) |
20. |
Continuous |
³sÄò¹Ô¨B©wÂI¥kÂà¤Î¥ªÂà |
21. |
Circular |
©·½u¹Ô¨B(¦V¥k¤Î¦V¥ª) |
22. |
Round about |
¶¦æ¨B |
23. |
Samba Locks |
´Ë¤ÚÂê¨B |
24. |
Promenade Runs |
°¼¦æ¶]¨B |
25. |
Cruzados Walks |
§J¾|ÂĦhÂê¨B |
26. |
Rolling off the arm |
Áu¤º±²Âà |
27. |
Contra Botafogos |
¤Ï¦Vªi¯S¦ò¤à´µ |
Ø
ABC¡¦s of Latin Part I - Rumba
1.
|
Basic movement |
°ò¥»²¾°Ê |
2.
|
Fan |
®°§Î¨B |
3.
|
Hockey stick |
¦±´Ò¨B |
4.
|
Spot turn to L and R |
©wÂI¥ªÂà¤Î¥kÂà |
5.
|
New Yorker |
¯Ã¬ù¨B |
6.
|
Hand to hand |
¤â¹ï¤â |
7.
|
Natural top |
¥kªûÁ³Âà¨B |
8.
|
Cucarachas |
À£¨B°Ê§@(½ñ½V¨B) |
9.
|
Closed hip twist |
³¬¦¡§áÂà¨B |
10. |
Opening out to R and L |
¤À®i¨B |
11. |
Reverse top |
¥ªªûÁ³Âà¨B |
12. |
Alemana |
¥kÂà¨B |
13. |
Open Hip twist |
¶}¦¡§áÁvÂà¨B |
14. |
Spiral |
Á³±ÛÂà¨B |
15. |
Curl |
±²¦±¨B |
16. |
Aida |
¦ã¹F |
17. |
Rocks |
·nÂ\¨B |
18. |
Rope spinnings |
±²Ã·Âà¨B |
19. |
Sliding doors |
²¾ªù¨B |
20. |
Three Alemanas |
¤TÂà¨B |
21. |
Advanced Opening out |
°ª¯Å¤À®i¨B |
22. |
Three Three's |
¤T¤TÂà¨B |
Ø
ABC¡¦s of Latin Part I - Paso doble
1.
|
Appel |
¹y¨B |
2.
|
Basic movement |
°ò¥»²¾°Ê |
3.
|
Surplace |
ì¦a½ñ¨B |
4.
|
Chasse to R and L |
°l¨B |
5.
|
Huit ( |
¤K¨B |
6.
|
Attack |
§ðÀ»¨B |
7.
|
Separation |
¤ÀÂ÷¨B |
8.
|
Promenades |
°¼¦æ¨B |
9.
|
Sixteen |
¤Q¤»¨B |
10. |
The twists |
§áÂà¨B |
11. |
Promenade to Counter Promenade |
°¼¦æ¨B¨ì¤Ï°¼¦æ¨B |
12. |
Grand Circle |
¤j¶ê°é¨B |
13. |
Promenade Close |
°¼¦æ³¬¦X¨B |
14. |
|
¬ï¶V¨B |
15. |
Banderillas |
µu¨ëºj¨B |
16. |
Syncopated Seperation |
¤Áµ¤ÀÂ÷¨B |
17. |
Fallaway whisk |
¨Ö°h©ª§Î¨B |
18. |
Fallaway reverse |
¨Ö°h¥ªÂà¨B |
19. |
Spanish line |
¦è¯Z¤ú»R«º |
20. |
Twist turn |
§áÂà¨B |
21. |
Chasse cape |
©ÜªÓ°l¨B |
22. |
Travelling spins from PP |
±q°¼¦æ¦ì¦æ¶i±ÛÂà |
23. |
Travelling spins from CPP |
±q¤Ï°¼¦æ¦ì¦æ¶i±ÛÂà |
24. |
Flamenco taps |
¦ò®Ô©úô½ñÂI¨B |
25. |
Syncopated chasse |
¤Áµ°l¨B |
26. |
Left foot variation |
¥ª¸}ªá¨B |
27. |
Coup de Pique |
¨ëºj¨B |
Ø
ABC¡¦s of Latin Part I - Jive
1.
|
Basic in place |
ì¦a°ò¥»¨B |
2.
|
Basic in fallaway pos. |
¨Ö°h°ò¥»¨B |
3.
|
Link (link rock) |
³sµ²¨B(³sµ²·n¨B) |
4.
|
Change of place from L to R |
¥ª¨ì¥k´«¦ìÂà¨B |
5.
|
Change of place from R to L |
¥k¨ì¥ª´«¦ìÂà¨B |
6.
|
Change of hands behind back |
I«á´«¤â |
7.
|
The whip |
¶Âà |
8.
|
Promenade walk (Slow and Quick) |
°¼¦æ¨«¨B(ºC¤Î§Ö) |
9.
|
American spin (L and R hand hold) |
¬ü¦¡±ÛÂà¨B(¥ª¤Î¥k¤â´¤«ù) |
10. |
Double Cross Whip |
Âù¥æ¤e¶Âà |
11. |
Throwaway whip |
©ßÂY¶Âà |
12. |
Reverse whip |
¥ªÂ¶Âà |
13. |
Fallaway throwaway: underturned and overturned |
¨Ö°h©ßÂY¡G(¤ÖÂà¤Î¦hÂà) |
14. |
Ball changes: parallel, L to R hand hold |
¸}´x´«¨B¡G¥¦æ, ¨k¥ª¤k¥k´¤«ù |
15. |
Stop & go |
°±¨«Âà¨B |
16. |
Windmill |
·¨®¨B |
17. |
Chicken walks |
Âû¨B |
18. |
Rolling off the arm |
Áu¤º±²Âà |
19. |
Spanish arms |
¦è¯Z¤ú¤â¶Õ |
20. |
Curly whip |
¦±±²Â¶Âà |
21. |
Simple spin |
³æ¤@±ÛÂà |
22. |
Toe heel swivels |
³k¸ò°jÂà |
23. |
Change of place R to L: no spin, with double spin |
¥k¨ì¥ª´«¦ì¡GµL±ÛÂà¡BÂù±ÛÂà |
24. |
Change of place L to R: no spin, with double spin |
¥ª¨ì¥k´«¦ì¡GµL±ÛÂà¡BÂù±ÛÂà |
25. |
Stop and Go: no spin, with double spin |
°±¨«Âà¨B¡GµL±ÛÂà¡BÂù±ÛÂà |
26. |
American spin: no spin, with double spin |
¬ü¦¡±ÛÂà¨B¡GµL±ÛÂà¡BÂù±ÛÂà |
27. |
Rolling off the arm: no spin, with double spin |
Áu¤º±²Âà¡GµL±ÛÂà¡BÂù±ÛÂà |
28. |
Amalgamation of Whips: Curly, Double whip, Reverse
whip, Throwaway whip, Normal whip |
¶Âà²Õ¦X¡G¦±±²Â¶Âà¡BÂù¶Âà¡B¥ªÂ¶Âà¡B©ßÂY¶Âà¡B´¶³q¶Âà |
29. |
Flick basic |
°ò¥»½ð¨B |
-- §¹ --
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